Home > Articles > Midnight in Paris Soundtrack: An Approach

Midnight in Paris Soundtrack: An Approach

Hi there guys, how are you all doing?

Last weekend I had the pleasure to watch Midnight in Paris with my girl at home in a warm night–I’m lying, is Hell hot right now here in Brazil lol–and of course I couldn’t help myself but keeping an eye (ear) at the movie’s soundtrack.

It’s cool. Just plain cool. But that’s an overly-easy way to describe it–even though it’s the real truth. :P So if I’m not boring you to death please allow me to talk a little about the approach for getting such a work done. :)

The interesting point here is that the easy way to get the job done would be to pick up a bunch of classics and rely on the strenght of those emotionally rooted  recordings to take advantage of that. But here those guys went a step further and tried (except for a couple tracks) NOT to sound nostalgic–and actually that was pretty much a requirement to make old-time Paris feel alive like Woody Allen intended to.

What a stroll...

So in a general way we got a couple new accordion recordings by Dana Boulé and François Parisi–pretty much straight-forward stuff, but still absolutely needed for a French setting; a bunch of Cole Porter with his impeccable metrics and irritating cleverness lol (“Romantic sponges, they say, do it / Oysters down in Oyster Bay do it / Let’s do it, let’s fall in love”) with the smoothness of Conal Fowkes recordings–the way-to-go when trying to step away from Ella; and more intriguing/humorous tracks elegantly pointing to gypsy jazz like the Swing 41 recording for Django Reinhardt and the recurrent “magic key” (watch the movie lol) “Bistro Fada”, by Stephane Wrembel.

Even when REAL old tracks were selected it’s easy to see it was carefully done. Enoch Light & The Charleston City All Stars’ tunes are particularly well-recorded; Josephine Baker and her conga is simply irreplaceable; and Sidney Bechet’s “Si tu vois ma mère” serves the humble purpose of crytalizing Paris into a watcher’s mind with a non-cut opening footage.

Beautiful, beautiful stuff man. Let me share something here as an appetizer… But go watch the movie. And pay attention to the soundtrack, please. ;)

‘Till next Monday… See ya!

  1. No comments yet.
  1. March 11, 2014 at Tuesday, Mar 11th, 14

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s

%d bloggers like this: